The Last 10 Films We've Seen: Reading the Movies

Here are the last ten films we've seen, many of which are based on novels. We will indicate which ones those with an asterisk (*); amazingly enough, "The Deer Hunter" which last three hours and 15 minutes was the filmation of an original screenplay! There are also two Oscar-winning films on the list, they will be marked by an at symbol (@).

We got this idea from "Film Comment" magazine; I expect there will not be an intellectual examination of the film "The Devil and Max Devilin" with Bill Cosby and Elliot Gould for quite some time (forgive the film connoisseur humor).


Here they are:

1. "Humpday." 2009. dir. Lynn Shelton

2. "Gigi." (pictured top) 1958. dir. Vincente Minelli *@

3. "Pretty Persuasion" 2005. dir. Marcos Siega

4. "The Devil and Max Devilin" (pictured center) 1981. dir. Steven Hilliard Stern.

5. "The Deer Hunter" 1978. dir. Michael Cimino @

6. "The Landlord" 1970. dir. Hal Ashby *

7. "East of Eden" (pictured bottom) 1955. dir. Elia Kazan.*

8. "The Chosen." 1981. dir. Jeremy Kagan *

9. "Far from the Maddening Crowd" 1967. dir. John Schlesinger.*

10. "The Great Gatsby." 2013. dir. Baz Luhrmann

http://www.filmcomment.com

Quote of the Day/Week- Elia Kazan

Since the Oscars will be televised at the month, we have decided to quote Academy-Award film directors throughout February. Keep in mind that the number of acclaimed film directors who never won an Oscar is a bit shocking, as it includes the likes of Alfred Hitchcock, Stanley Kubrick and Orson Welles.

But, one film director who is a worth Oscar-winner is Elia "Gadge" Kazan (1909-2003) who won Best Director Oscars for "Gentleman's Agreement" (1948) and "On the Waterfront" (1955). His direction of the screen version of "A Streetcar Named Desire" (1951), written by Tennessee Williams, is frequently cited as one of best screen adaptations of a stage play.

Kazan also won three Tony Awards for Best Director, including two Arthur Miller plays "All My Sons" (1947) and "Death of a Salesman" (1949) as well as "J.B.," a 1958 play by Archibald Macleish based on the Biblical story of Job. Cult actor John Cazale, who died at age 42 in 1978, starred in a 1962 off-Broadway production of "J.B.," which was not directed by Kazan.

The son of Anatolian Greek immigrants also directed "Viva Zapata!" (1952) with his frequent collaborator Marlon Brando; a film which us Netflix users are eagerly awaiting for. Interestingly enough, in a editorial by William Kristol in the conservative magazine "The Weekly Standard," this film was cited by Sen. John McCain (R-AZ) as his personal favorite. The editorial was written when McCain was running as the Republic nominee for president in 2008.

Kazan also helmed a screen version of "America! America!" (1963) based on his own novel. The movie was partially filmed in Istanbul, Turkey, the city of Kazan's birth. Kazan recieved an Oscar nomination for directing that film as well.

Here is our quote from Gadge:

"A good director's not sure when he gets on the set what he's going to do."

SIDEBAR: Having just returned from The Bahamas, we wanted to recommend other potential tourists to be sure to visit the Ardasta Zoo in the capital of Nassau where one can watch a dancing pink flamingo show at 10:30, 2:10 and 4:10. It would be quite ironic if film director John Waters was at one of these shows (forgive the movie people humor).

In Baltimore, which is the hometown of the eccentric filmmaker, the Maryland Zoo is hosting an adults only Sex in the Zoo talk about the mating habits of animals. Our collective jaws recently dropped when we read about how porcupines mated in the last issue of "Mental Floss."

SIDEBAR 2: For some reason, Godzilla and Quick Draw McDraw are two of the hot links on our blog this week!

Best Films of 1961

Since I looked at the best films from the years 1950, 1960, 1970, 1980, 1990 and 2000last year, I am going to list my favorite films for the years following those years this year.

On my other blog "Politics, Culture and Other Wastes of Time," I listed the best films from 1951. Here, I list my favorite films from 1961:


1. "Cleo from 5 to 7" (France. dir. Agnes Varda)

2. "Last Year of Marienbad" (France. dir. Alain Resnais)

3. "Divorce Italian Style" (Italy. dir. Pietro Germi)

4. "Viridiana" (Spain. dir. Luis Bunuel)

5. "West Side Story"* (dir. Robert Wise and Jerome Robins)

6. "A Woman is a Woman" (France. dir. Jean-Luc Godard)

7. "Splendor in the Grass" (dir. Elia Kazan)

8. "Accattone (Italy. dir. Pier Paolo Pasolini)

9. "Il Posto" (Italy. dir. Ermamo Olmi)

10. "Yojimbo" (Japan. dir. Akira Kurosawa)

Quote of the Week- Elia Kazan

We continue quoting Americans this month since the Fourth of July occurs .....well in July. Today, on our two blogs, we look at film directors who immigrated to the United States. Here, we will quote Elia Kazan (1909-2003) who was an Anatolian Greek (Turkish citizens of Greek heritage. There are still many living in Istanbul). On our other blog, we quip Billy Wilder who was a German emigre.


Kazan was a controversial figure off-screen though some of his films like "A Streetcar Named Desire" (1951) were quite provocative for their time. The main reason for this was that the stage and screen director was among the first to cooperate with zealous Congressmen who were out to find communists in Hollywood.

Other memorable Kazan films include "Panic in the Streets" (1950), "On the Waterfront" (1954), "Baby Doll" (1956)* and "Splendor in the Grass" (1961). He frequently directed films with Marlon Brando.

Here is the quote from Kazan which seems quite ironic:

"Anybody who informs on other people is doing something disturbing and even disgusting."

*-My favorite Kazan film

The Last Ten Films I've Seen (As of Last Night)

I will do this a bit differently this time as I have in previous "Last Ten Films I've Seen" entries, by listing the films first and then commenting on (most of) them:

1. "Midnight Cowboy" (1969. d-John Schlesinger)
2. "My Best Girl (1927. d-Sam Taylor. Film starred Mary Pickford)
3. "To Be and To Have" (2002. doc. France. d-Nicolas Philibert)
4. "Bonjour Monsieur Shlomi" (2003. Israel. d-Shemi Zarhin)
5. "You Don't Know Jack" (2010. d-Barry Levinson. Film made for HBO).
6. "Greenberg" (2010. d-Noah Baumbach)
7. "Zatoichi: The Festival of Fire" (1970. Japan. d-Kenji Misumi).
8. "The Mouse on the Moon" (1963. d-Richard Lester).
9. "Panic in the Streets" (1950. d-Elia Kazan)
10. "His Girl Friday" (1940. d-Howard Hawks)

As one might have noticed, none of these films feature b-western star Hopalong Cassidy (pictured here), but I thought I would feature his image with this list because my friend Gary who runs a vintage small-town cinema near Greensboro, NC, once told me that folks came to the movie theatre to see "Midnight Cowboy" in 1969 thinking (by the title) that it was a western!

It is in fact a movie about a gay street hustler from Texas (played by Jon Voight) who comes to New York where he meets a city drifter (played by Dustin Hoffman) and befriends him. For many who have seen the iconic film, which is the only X-rated film to ever win a Best Picture Oscar, and were familiar with Voight's very left-of-center politics, it is indeed shocking that he is now a fringe right-winger who even speaks at Tea Party rallies.

But, what I found to be more startling while researching "Midnight Cowboy" for this piece was that the film's openly gay director John Schlesinger (1926-2003) himself reverted to political conservatism! He allegedly said that "Midnight Cowboy," which portrays homosexuality in a negative manner, would not get made today because of political correctness. Of course, one would also think that the rise of '80s Reagansim and the religious right in recent years would make it difficult for a major studio ("Midnight Cowboy" was made by MGM) to back such a film either.

"My Best Girl" is a delightful late-period silent film (by 1927, most films were incorporating sound) which is said to feature the best performance of screen darling Mary Pickford, once dubbed 'America's Sweetheart.' She won an Oscar the following year for "Coquette" and she lived into her eighties until her death in 1979.

"Bonjour Monsieur Shlomi" may sound like a French film from the title, but it is actually an Israeli film which has nothing to do with the Palestinian-Israeli political rift. It is actually a startling examanition of teenage sexuality which is surprisingly frank. The film comes across as a cross between John Hughes' "Sixteen Candles" and Larry Clark's highly controversial film "Kids."

"You Don't Know Jack" is about the famous (or infamous depending on your perspective) Armenian-American assisted suicide doctor Jack Kevorkian which features a stellar performance from Al Pacino in the lead role. The moving film is being shown just weeks after a controversial article about assisted suicide appeared in "The Atlantic."

"Greenberg" shows a very different side of lead actor Ben Stiller. It is a surprisingly sexually overt film, even by indy standards. Stiller is great, though I felt this film which I saw at the Grandin Theatre in Roanoke, Va., lacked a satisfying resolution.

"Zatoichi: The Festival of Fire" is a Japanese samurai-themed b-movie which has a cult following. It came out about the same time as the countless Godzilla-Mothra sequels did.

"The Mouse on the Moon" may seem slightly dated, but it is a biting Cold War satire from Richard Lester, who is one of my favorite directors, though I think it is unfortunate that he is best-known for his two Beatles films ("A Hard Day's Night" and "Help") when he made many other vintage films- my personal favorite being the 1965 film "The Knack--Or How to Get It). Lester is still alive and in his late seventies, but he no longer makes films.

"Panic in the Streets" is unique for being a film noir directed by Elia Kazan (not a genre he is known for) and a great performance from a very young Jack Palace.

"His Girl Friday" is said to be Howard Hawks' best comedy, and it is amazing that Rosalind Russell's amazing performance alongside Cary Grant was completely overlooked by the Academy Awards (she wasn't even nominated!).